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Intro Mary Garden
FLOWERS OF OUR LADY AND MARY GARDENS SLIDE LECTURE
50 SLIDES AND NARRATION TEXT
SLIDES 11-20 AND TEXT
11.
The white lily, and particularly
the Madonna Lily, with its striking
clarity of form and immaculate,
translucent whiteness, has long been
regarded as the special symbol of
the spotless purity of Our Lady.
In the 8th century St. Bede saw the
translucent white petals to be a
likeness of her pure body as she was
assumed into heaven, and its golden
anthers, of the glorious resplendance
of her soul.
In Renaissance art it was adopted in
paintings of the Annunciation, and accordingly came to be known as
Annunciation Lily and Mary's Lily.
12.
Other flowers suggested to the faithful
Mary's outward beauty, which so perfectly
reflected the inner beauty of her holiness.
This is Our Lady's Tresses from the
braid-like form of its spiraling flowers.
Still known today by the derived common
name of Ladies' Tresses
13.
Still other flowers suggested Our
Lady's clothing and her adornment. The
pendant blooms of Fuchsia were seen as
Our Lady's Eardrops - fitting adornment
for the ears which received the Angel's
message of the Annunciation, as Mary
"heard the word of God and kept it."
This XXth Century English holy card,
depicting two doves adorning Mary's ears with
her Eardrops, shows how religious art and
devotion have continued to employ Our Lady's
flower symbols even down to the present day.
14.
The violet, from the modest or
humble manner in which its blooms
peek out from under its leaves was
adopted as the emblem of Our Lady's
humility, and was also known as
"Our Lady's Modesty".
St. Bernard spoke of Our Lady as
"the violet of humility, the lily
of chastity and the rose of
charity."
A number of other flowers were
associated with or named for the
different virtues, and as such were especially associated with
Our Lady, the model of all virtues.
15.
The "Lily of the Valleys", a title
applied by the Church Fathers to
Mary from the Canticle of
Canticles, denoted both her purity
and her humility. This name has
been most fittingly applied to the
low, white-flowered plant commonly
known as Lily-of-the-Valley today,
which so well symbolizes these
virtues.
16.
From its petals resembling doves, the
columbine has been adopted as an emblem of
the Holy Spirit. The red columbine has been
used especially for this purpose since its
red spurs resemble also the tongues of flame
with which the Holy Spirit descended upon
the apostles at Pentecost.
In paintings of the Madonna and in Mary
Gardens the columbine recalls that Mary
conceived of the Holy Spirit, of whom she
is also the dwelling place or temple,
according to the words of the angel: "And
the Holy Spirit shall come upon thee."
17.
Various fruits, such as the apple and the
pear, have been used in art to denote the
divine fruitfulness of Mary's womb. In Mary
Gardens and in portrayals of Mary Gardens, the
strawberry has been widely used for this
purpose since its low form is suitably
proportioned to other low-growing symbolical
plants such as the violet and the lily-of-the-
valley.
In flower and in fruit at the same time, the
strawberry also represents Mary's perpetual
virginity.
18.
Church bells were especially associated
with Our Lady from their use to ring out the
Angelus thrice daily, and were often given
names and inscriptions honoring her role in
the Incarnation. Consequently, several
bell-shaped flowers, such as the Gland Bell
Flower shown here were known as Mary's Bells
or Our Lady's Bells.
The chimes of the Angelus Tower of St.
Joseph's Church in Woods Hole, Massachusetts,
beside which the Garden of Our Lady is
planted, bear the inscriptions:
"I will teach you of life and of life
eternal" and "Thanks be to God".
19.
Some fifteen different flowers, of which
the best known is perhaps the Ladyslipper
Orchid shown here were at one time called Our
Lady's Slippers. Legends tell us that these
flowers sprang up where Our Lady trod on the
way to visit Elizabeth, showing, in the words
of the Canticle of Canticles applied to her,
that "all her steps were most beauteous".
Such legends, while not historical
documentations, afford historical insight into
the richness of the religious associations
underlying the flower symbols of Our Lady.
20.
The beauty and purity of Our Lady's
Thimble - Harebell, or Bluebells of Scotland -
bespeak the sublime perfection and elevation
of Mary's thoughts as she sewed for the
infant Savior, to be born of her womb.
(Slides 21-30)