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                                               Intro Mary Garden

Blooms That Pray

Annunciation Lily. In paintings of the Annunciation, Mary, the "Spotless Lily", is typically seated reading the prophecy of Isaiah with a pot or vase of white lilies beside her, symbolizing her purity, in fidelity to the grace of her Immaculate Conception. Hence the old name, Annunciation Lily, for the white lily, still found growing wild in some remote locations in the Holy Land - the name Madonna Lily, by which it is commonly known today, being of more recent origin. Beholding the lily we pray for our own purity of body, heart and spirit in emulation of Mary. Our Lady's Earrings. We see these flower earrings, with their curved ring-like stems as fitting adornments for the ears of the most pure Virgin, placed there by doves of the Holy Spirit, according to one representation, in tribute to her humble and attentive listening to the words of the angel of the Annunciation - hearing the word of God and keeping it. Fallen to the ground these blooms were also, like many other flowers, seen and named as Slippers of Our Lady, whose steps were most beauteous in loving service of God. Our Lady in-the-Shade. The feathery bracts surrounding each flower of this plant recall for us the overshadowing of Mary by the Holy Spirit, as announced by the Angel Gabriel. We pray to Mary that she mediate the Holy Spirit's overshadowing of us, so that we too may follow its promptings and consolations - for our guidance in praying and working for the coming of God's Kingdom on earth as it is in Heaven. Our Lady's Delight. Like Mary, we take delight in flowers as God's riches and artistry, showing forth the beauty of heaven on Earth. We take heart that, with Our Lady's merciful intercession we will see God's beauty face to face in heaven. As we behold the pansy, also known as Trinity flower, from its three colors - white, yellow and purple - we see in it the reflection of the Trinity in Mary, as Daughter of the Father, Mother of the Son and Spouse of the Holy Spirit Our Lady's Pincushion. As we look at the tiny white pins in their colored cushions, we think of Our Lady's wonder and joy as she sewed garments for the Divine Redeemer she was to bear. Like Mary, we offer all our work and thoughts to God. Mary-Loves. This name for the English Daisy is attributed to an old legend about the child Jesus' first cut, on his hand, in Nazareth. Mary, mindful of the prophesies of Isaiah and Simeon that her beloved divine Son was to grow up to suffer a terrible Passion and death, experienced a welling of motherly grief when she saw the the first drops of His precious blood - whereupon some of the previously all-white daisies on which the blood drops fell turned to red, mirroring both the prophesied immolation of Jesus which was to come, and the continuous immolation of Mary's motherly heart in the knowledge that it was to come. We learn from this to intensify our compassion for Jesus' suffering through the sorrows of his mother's love for Him. Mary's Tears. When the tear-like buds appear, we unite our thoughts with those of Mary as she wept at the foot of the Cross, sharing interiorly the bitter Passion of her crucified Son and Lord. May we come to be more closely united with the immolation of Christ through loving meditation on Mary's immolative motherly sorrows. Mary's Gold. We see how beautifully the golden masses of marigolds suggest Our Lady's splendor after her glorious assumption into heaven as the "Woman clothed with the sun," the "Queen in gilded clothing," and in her subsequent merciful apparitions on earth. We ask her to pray that we may be made worthy of the promise of heaven. Our Lady's Mantle. We raise our thoughts from the blue of Our Lady's Mantle to the spiritual mantle with which Mary, Mother of the all-powerful God, and our heavenly mother also, mercifully protects those who turn to her for help. We beseech her protection from all dangers. Eyes of Mary. As we come upon the eye-like flowers of forget-me-nots, with their golden centers, we are quickened to reassurance that the eyes of Mary, our Spiritual Mother in heaven, are always turned upon us. We are similarly reassured by the downwards declining blooms of the daffodil, seen as "Mary looking down from heaven". Mother Love. "Patient Lucy" is said also to have been named Mother Love from its constancy - the constancy of its blooms during the entire frost-free period in the temperate zones. We turn in prayer to Mary, our Spiritual Mother, in heaven, knowing that she is constantly there for us, as she was there for Jesus at the foot of the Cross when all the Apostles but John had fled. Mary's Crown. As we observe the first florets blooming in a crown-like ring around the edges of each flower head, we raise our thoughts to Mary's coronation as Queen of Heaven and Earth. We pray to Mary for the mediation of the graces needed to guide our actions towards the building of God's Kingdom of love, peace, justice and material sufficiency for all. Our Lady's Praises. This name for the blooms of petunias suggests that they resemble the subtle flowers seen by those gifted with spiritual vision to rise from the lips of devotees proclaiming Our Lady's praises - as roses have been perceived to rise from those praying the Aves and Paters of the Rosary (the origin of the name, "Rosary"). May our prayers, too, rise to Our Lady as pure spiritual bouquets of love. The Virgin. The zinnia is one of a number of flowers which because of their forms and settings in nature, evidently suggested to many persons coming upon them that they had seen a radiant human form - that of the Virgin, for whom these flowers were thus named. Other such flowers are "Mary", "Our Lady of the Meadow", "Our Lady in the Corn" and "Our Lady by the Gate". As we reflect on the zinnia with this knowledge, we rejoice that Mary, Mediatrix of all Graces, is always present by her action wherever graces are distributed. John S. Stokes Jr. These flower meditations are according to the spirit and example of Flowers of Mary by Rev. Louis Gemminger (1894). Copyright Mary's Gardens 1996